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margaret ann Garrett

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  • Drawings
  • Nature and Still Life
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  • About

Now and Then.
Journal from studies in France.

2021 notes: In 2014, and again in 2016, I was able to go to France and study with several master artists. In 2014, it was with Ted Seth Jacobs, and in 2016 with Michelle Tully at Studio Escalier. Because of COVID, Studio Escalier began online instruction in 2020. So, I’ve been able to study with Michelle online since then…but with no weekend trips around the country. Still, I’m glad to be able to continue studying with Michelle.

Ted, a great teacher and artist, celebrated his 90th birthday when I was there in 2014, but his health was in decline and he passed away several years ago. It’s was a great learning experience for me. I’m so grateful to have had that time.

When there, I took lots of photos and travelled whenever possible. The photos and related comments here are simply reminders for me of these excursions and serve as a type of journal and a memory keeper.


Featured posts:

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featured
2014
A Weekend visiting the Three Oldest Lighthouses in France
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2014
featured
2014
featured
2014, Ted Seth Jacobs, Musee David d’Angers
Museé des Beaux-Arts d'Angers, Museé David d'Angers and Ted’s Home Gallery
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2014, Ted Seth Jacobs, Musee David d’Angers
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2014, Ted Seth Jacobs, Musee David d’Angers
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2014, Ted Seth Jacobs
Evening Landscapes and a Birthday
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2014, Ted Seth Jacobs
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2014, Ted Seth Jacobs
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2014
Journey to Giverny
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2014
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2014
End of first day in the studio.

End of first day in the studio.

A foggy dawn today.

A foggy dawn today.

A New Day

April 03, 2016

First day of the course was today. The first photo here is from outside my window this morning, looking over the river, a foggy mist with the sun breaking through. Class started about 9:30 with a demo this morning by David Baird. This afternoon we worked on color studies of the same pose—mine is the second photo in this series. It's about three hours of work, we'll pick up on this pose again tomorrow afternoon. The goal is not a 'finished' painting, but an understanding of how chroma, hue, and value define the form. The studio is natural light—and even though it changes throughout the day, I really, really like this as opposed to artificial light.

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