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margaret ann Garrett

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Now and Then.
Journal from studies in France.

2021 notes: In 2014, and again in 2016, I was able to go to France and study with several master artists. In 2014, it was with Ted Seth Jacobs, and in 2016 with Michelle Tully at Studio Escalier. Because of COVID, Studio Escalier began online instruction in 2020. So, I’ve been able to study with Michelle online since then…but with no weekend trips around the country. Still, I’m glad to be able to continue studying with Michelle.

Ted, a great teacher and artist, celebrated his 90th birthday when I was there in 2014, but his health was in decline and he passed away several years ago. It’s was a great learning experience for me. I’m so grateful to have had that time.

When there, I took lots of photos and travelled whenever possible. The photos and related comments here are simply reminders for me of these excursions and serve as a type of journal and a memory keeper.


Featured posts:

Featured
featured
2014
A Weekend visiting the Three Oldest Lighthouses in France
featured
2014
featured
2014
featured
2014, Ted Seth Jacobs, Musee David d’Angers
Museé des Beaux-Arts d'Angers, Museé David d'Angers and Ted’s Home Gallery
featured
2014, Ted Seth Jacobs, Musee David d’Angers
featured
2014, Ted Seth Jacobs, Musee David d’Angers
featured
2014, Ted Seth Jacobs
Evening Landscapes and a Birthday
featured
2014, Ted Seth Jacobs
featured
2014, Ted Seth Jacobs
featured
2014
Journey to Giverny
featured
2014
featured
2014
View fullsize Saintes—Abbaye aux Dames.
Saintes—Abbaye aux Dames.
View fullsize Saintes—Abbaye aux Dames.
Saintes—Abbaye aux Dames.
View fullsize Chambers—Abbaye aux Dames.
Chambers—Abbaye aux Dames.
View fullsize They grand hallway—Abbaye aux Dames.
They grand hallway—Abbaye aux Dames.
View fullsize A room at Abbaye aux Dames.
A room at Abbaye aux Dames.
View fullsize A room at Abbaye aux Dames.
A room at Abbaye aux Dames.
View fullsize Arc Germanicus.
Arc Germanicus.
View fullsize A Ceremony to Honor the Disappeared.
A Ceremony to Honor the Disappeared.
View fullsize A Ceremony to Honor the Disappeared.
A Ceremony to Honor the Disappeared.
View fullsize Cathédrale Saint-Pierre.
Cathédrale Saint-Pierre.
View fullsize Cathédrale Saint-Pierre.
Cathédrale Saint-Pierre.
View fullsize Cathédrale Saint-Pierre.
Cathédrale Saint-Pierre.
View fullsize Old walls in the old city.
Old walls in the old city.
View fullsize Old city.
Old city.
View fullsize Along the Charente.
Along the Charente.
View fullsize Just spring.
Just spring.
View fullsize Vénérand—Roman aqueducts.
Vénérand—Roman aqueducts.
View fullsize Vénérand—Roman aqueducts.
Vénérand—Roman aqueducts.
View fullsize Vénérand—Roman aqueducts.
Vénérand—Roman aqueducts.
View fullsize Vénérand—Roman aqueducts.
Vénérand—Roman aqueducts.
View fullsize Abbaye de Fontdouce.
Abbaye de Fontdouce.
View fullsize Abbaye de Fontdouce.
Abbaye de Fontdouce.
View fullsize Chapelle—Abbaye de Fontdouce.
Chapelle—Abbaye de Fontdouce.
View fullsize Abbaye de Fontdouce.
Abbaye de Fontdouce.
View fullsize Abbaye de Fontdouce.
Abbaye de Fontdouce.
View fullsize Brantôme.
Brantôme.
View fullsize Brantôme.
Brantôme.
View fullsize Brantôme.
Brantôme.
View fullsize Brantôme.
Brantôme.

Part One—from Saintes to Brantôme

May 03, 2016

Part one—April 23 and 24.

After picking up a rental car—a six-speed diesel, fun to drive—I headed about 160km south to stop first in the city of Saintes. Located on the banks of the Charente River, in the Charente-Maritime Department, Saintes dates from Roman times. The Arc Germanicus (18-19 AD) is here, a gate at the end of the Via Agrippa—also here are the remains of a Roman Amphitheatre—but it was closed on Sunday morning so I missed that. I walked instead through the old city historic district, came upon a Remembrance ceremony for WWII victims, went to mass at Cathedral Saint Pierre, and had a picnic lunch along the banks of the Charente. I then drove through some nearby villages—Port d'Envaux, Tallaiebourg and Vénérand—before setting out for Brantôme.  (The photo captions have the details.)

← Part Two—Beynac and Castelnaud, Opposing AllegiancesA Mélange of Friday and Saturday →
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